Latest posts by Boron P (see all)
- 12 Weird Movies : Hope You Might Not have Seen - July 31, 2017
- POWER OF MOTHER NATURE : Worstamong the Deadliest - July 30, 2017
- Psychological Studies on Shoplifting and Kleptomania - July 26, 2017
12. Mystics In Bali (H. Tjut Djalil, 1981)
There’s a whole world of weird Indonesian exploitation films out there that’s ripe for rediscovery and Mystics In Bali is only the tip of the iceberg. Even so, what a tip it is.
It’s about a black magic scholar called Cathy (Ilona Agathe Bastian, a German tourist who agreed to act in the film so she could stay in Bali longer!) who’s come to Bali to learn more about the dark arts of Leyak. With the help of her boyfriend Hendra, she gets to meet an old Leyak witch, who agrees to take make her a disciple.
From then on, be prepared for lots of astounding imagery, as people transform into pigs and snakes, Cathy’s head separates from her body but with her entrails attached as she becomes a ‘Penanggal’ (in short, a flying vampire head), people vomiting live mice, naked pig women and even a baby being eaten right out of a pregnant woman’s vagina!
However much the film suffers from its hilariously poor special effects and dubbing, not to mention the amateurish acting and filmmaking, you still won’t be able to take your eyes off this one.
11. The Day Of The Beast (Alex De La Iglesia, 1995)
You can put in almost any Spanish language film that Alex De La Iglesia has ever made into this list and chances are you wouldn’t be wrong. Dying Of Laughter, Accion Mutante, The Perfect Crime, A Sad Trumpet Ballad (aka The Last Circus), Iglesia seems to have made it his specialty making wild and weird films, at least when it comes to his Spanish language movies.
However wild and weird his other films are though, there’s something really special about The Day Of The Beast. A comic spoof of Armageddon horror movies, the film tells the story of Father Angel, a numerologist who’s finally cracked the code and discovered the exact date that the Antichrist will be born.
Sincerely believing that he needs to do bad deeds in order to be able to get close to Satan and stop the coming of the Antichrist, he robs a dead man (after reading him his last rites), listens to heavy metal on his walkman and even makes friends with a heavy metal fan, angling to attend a show at a club called Hell.
Things get even more ridiculous as he discovers an occult TV personality, who he holds hostage to help him ‘summon the Devil.’ Hilarious and scary in equal parts, The Day Of The Beast is simply one of the finest horror-comedies ever made, played with absolute conviction by the exemplary cast, no matter how comical or ridiculous the situations are.
10. Enthiran (Shankar, 2010)
By now, probably everyone in the world with an internet access has seen the soramimi (misheard lyrics) Youtube videos of “Indian Thriller” and “Crazy Indian Dance” (also sometimes known as “Benny Lava”). Add to these dozens of other hilariously crazy action scenes from Indian films (usually Tamil ones), and a general consensus can be formed that quite a fair amount of these supposedly serious and straight-faced films are weird, if not insane.
King of this insanity is B. Rajnikanth, also normally billed as Superstar Rajnikanth in his films, an Indian superstar even bigger than the world famous and more familiar to the West Amitabh Bachchan. Although a case can be made for a lot of his other films like Sivaji The Boss, Chandramukhi or Padaiyappa, the easy access to CGI has made Enthiran the king of all his films, at least when it comes to unhinged insanity.
It tells the story of a brilliant scientist (played by the Superstar of course) who’s created a robot (also played by the Superstar) who in turn falls in love with the scientist’s fiancé. Since the evil Chitti is a robot, he can understand and talk to mosquitoes (because he’s accessed and digested all sorts of books), create other robots and battle the Army by joining together, Voltron-style, to form a giant wall, a giant robot and a giant snake, amongst other things.
In fact, the evil Chitti is probably even more powerful than Neo, judging by the numerous Matrix-like battles that far outstrip even The Matrix in its logic-defying lunacy, which will definitely make the viewers think, “I want whatever the director and writer’s been smoking!”
9. Freeway II: Confessions of a Trickbaby (Matthew Bright, 1999)
Freeway was a decent critical hit, and probably did very well on home video to become the minor cult classic that it is now, thanks to the presence of Reese Witherspoon and Matthew Bright’s very clever adaptation of Little Red Riding Hood to suit the milieu of the film and its characters.
Far less heralded is its sequel, an unashamed exploitation film that this time adapts Hansel And Gretel for a depraved world of thieves, serial killers, hookers and pedophiles. Natasha Lyonne plays Crystal, an bulimic underaged prostitute caught for robbing her tricks and sent to a juvenile girls’ correctional facility, where she meets her cellmate Cyclona, a psychotic serial killer who even murdered her own family.
After managing to escape, they leave a trail of bloodbath on their way to Mexico to see Sister Gomez (an awesome Vincent Gallo camping it up), who was an important spiritual figure during Cyclona’s childhood. A rollicking combination of the women’s prison film, lovers on the run film and Hansel And Gretel, this is the sort of sleazy grindhouse film that would’ve been perfect for grindhouses everywhere, if they still exist.
8. Attenberg (Athina Rachel Tsangari, 2010)
Now that the world has been aware of the wonders and delights of the Greek Weird Wave, thanks to the Oscar nomination for Yorgos Lanthimos’ international breakthrough Dogtooth and the Venice success of his follow-up Alps, a list of weird films wouldn’t be complete without a Greek Weird Wave film.
Opening with a spectacularly non-erotic scene of a girl, Bella, teaching another girl, Marina, how to French kiss, Attenberg grabs the viewer from the word go and never stops to fascinate with the endlessly eccentric behavior of its characters.
Filled with all sorts of inappropriate behavior and conversations, from Marina asking her father whether he’s ever imagined her naked (to which the father calmly answers, “There’s a reason why we mammals have taboos.”) to Marina’s unending enquiries to her first time lover whether she’s doing it right, during the process of ‘doing it’, to bizarre scenes of Marina and her father mimicking animals they’re watching on TV, watching Attenberg is like watching a Richard Attenborough nature documentary (which is where the film got its name from), but with humans as its subject.
This is quite possibly the most bizarre film on this whole list. With a tone that could only be described as hysterical, it would have placed much higher on the list if it actually made sense. Despite the fact that it played In Competition at Cannes with Isabelle Adjani winning Best Actress at both Cannes and the French Cesars, Possession remains a film that probably only the director himself understood.
The main story is about the disintegration of a marriage between Mark and Anna, but hints of a political allegory also taking place frequently surface in the form of Mark’s vaguely explained job (and some shenanigans involving pink socks), the film’s setting in Berlin and the very frequent sighting of the Wall and its guards each time a character looks out the window.
But even without managing to figure out what the hell is going on, Possession is a WTF movie of the highest order, with character psychology going from calm to mental in a manner of seconds, punctuated by endless shrieking matches between the couple or between Mark and one of Anna’s lovers Heinrich (a lothario who’s alternately macho and effeminate, played with superbly memorable overacting by Heinz Bennent), not to mention Anna’s other lover, a tentacled creature that looks like an octopus.
With so many show-stopping WTF moments, the crown jewel (which surely clinched Adjani’s Best Actress prizes) is undoubtedly the scene where Anna spectacularly freaks out like a woman possessed in the subway tunnels, having some sort of miscarriage with blood and goo coming out of her ears and body in the process. Unforgettable.
6. Ninja III: The Domination (Sam Firstenberg, 1984)
Any film, no matter how cheesily bad, that involves an aerobics instructor being possessed by the spirit of an evil Ninja is definitely one that is worth tracking down. Whatever it was that went on in the minds of writer James R. Silke, director Sam Firstenberg and legendary 80s producers Menahem Golan and Yoram Globus to actually get this film greenlit, made and then released into theaters, cinema history owes them a huge thank you.
Opening with an astoundingly long, epic and somewhat incompetent fight sequence when a Ninja easily and comically assassinates some sort of politician at a golf course, the whole cavalry, from policemen on motorcycles to even helicopters promptly arrive at the scene to give chase to the Ninja and it took hundreds of bullets to finally kill the damn guy.
The fun doesn’t stop there as our hero, the aerobics instructor, was somehow close by fixing telephone lines (don’t ask!), and was then possessed by the spirit of the evil Ninja, leading her to unexplained blackouts from which she wakes up with blood on her clothes and hands. Cue lots of ineptly staged fight scenes, dramatically hilarious attempts to resist possession and, of course, exorcism, in a Ninja movie! Really, what’s not to like?
5. God Told Me To (Larry Cohen, 1976)
Even after almost 40 years, Larry Cohen’s cult classic will still warp the mind of anyone seeing it. The movie begins with a rooftop shooting, as a sniper guns down 14 people on the streets of New York City, with the killer making this dying confession: “God told me to.”
A few more random killings and murders happen after that, like a cop going on a shooting spree during the St. Patrick’s Day Parade and a father gunning down his whole family, also for the same reason, that God told them to.
Although technically a whodunit, as the hero cop tries to find out how these murders are connected, his findings will take the film into a wholly different and interesting territory as mind control, stories about aliens artificially inseminating women and an encounter with a Jesus-like hermaphrodite with a vagina on its left rib opens the possibility that if a superhuman alien was raised and lived among mortal men, wouldn’t that alien be some sort of God, or at least a prophet in the first place?
4. Bad Boy Bubby (Rolf De Heer, 1993)
A genius, one-of-a-kind achievement by Australian director Rolf De Heer, Bad Boy Bubby nabbed the Grand Special Jury Prize at the Venice Film Festival, but was unfortunately not distributed widely enough to creep onto the radar of most filmgoers.
A story about Bubby (an astonishing Nicholas Hope), a man-child kept locked his entire life in a dingy apartment by his depraved mother, Bad Boy Bubby is part Lynchian nightmare, part fish out of water comedy, a rather sweet examination of Oedipus complex and also clearly a send-up of all things wrong with the world, from murder to organized religion to even social prejudice on mentally handicapped people.
All of this is expertly weaved into a story in which Bubby, who can only communicate by memorizing and mimicking what others say and do, manages to escape into the outside world, discovers sex and pizza, becomes a rock star and a serial killer among other things, all the while trying to understand and fit in this cruel world. As Bubby likes to say it, “Christ kid, you’re a weirdo.”
3. House (Nobuhiko Obayashi, 1977)
Everyone knows how weird Japanese pop culture can be. Let’s not even think about their Manga, Hentai and porn as even some of their TV shows alone would freak the hell out of most people. So when the Japanese film industry was in the doldrums, clearly losing out on audiences to TV and Hollywood imports like Jaws and Star Wars, guess what film their famed Toho Studios came up with as an answer to Jaws, to bring back the teenage audiences into cinemas?
The answer was the absolutely bonkers House, the feature directing debut of Nobuhiko Obayashi, one of the pioneers of the Japanese experimental film scene who later made some of the country’s most famous TV advertisements. And the film is exactly that, an experimental, psychedelic horror film that plays like an avant garde TV commercial.
It’s a simple haunted house story, about seven teenage best friends with names like Gorgeous, Kung Fu, Fantasy and Prof, going into the country to visit Gorgeous’ aunt at her house, which turns out to be haunted, and they get killed one by one.
But what transpires onscreen, like a girl getting eaten by a piano, another one getting attacked by a roomful of mattresses and an evil cat flooding the house with blood spewing out of its mouth, are such glorious sights that it’s no wonder teenagers lined up to see the film during its theatrical run. Only in Japan!
2. The FP (The Trost Brothers, 2011)
Cult films are usually unintentional. There have of course been many attempts to intentionally engineer and make a cult film, but far too many of them ended up being one-note jokes that far outstay their welcome. It takes special talent to recognize the thin line between good ridiculous and just plain ridiculous.
Jason Trost and Brandon Trost though, judging from their perfectly judged debut film The FP, have exactly that. They get the fact that all those cult films so beloved by their fans are so endearing because the actors act like they’re in a serious and worthy movie, no matter how ridiculous the premise is.
There’s no wink to the audience. Similarly, there’s absolutely no wink from the actors here, as The FP possesses some of the greatest serious bad acting in the history of cinema, as the premise is awesomely silly enough to keep things fun.
It’s about two rival gangs fighting for control of Frazier Park in a future where street cred is gained from the ability to beat your opponent (sometimes to death, 187 yo!) at a game called “Beat Beat Revelation” (which is more or less “Dance Dance Revolution”). Despite everyone being white (or Asian), they amusingly talk like African American gangsters, yet play everything so straight that it does seem like they honestly mean it.
Having character names like JTRO (pronounced ‘Jay-throw’), BTRO, KCDC and L Dubba E (when saying “Lee” is easier!), and lines like, “It’s not about color. Anyone can be a nigga, N-I-G-G-A, Never Ignorant Getting Goals Accomplished” or “I’m done with him, D-U-N” guarantees a good time to even the biggest skeptics. The whole movie even plays like Rocky, but with Dance Dance Revolution instead of boxing, which can only mean that it totally rocks!
1. Father’s Day (Astron-6, 2012)
Any weird movie list is not complete without a Troma film. In fact, they live and breathe weird in their films, as hinted at even by their films’ titles like Class Of Nuke ‘Em High, Surf Nazis Must Die and Killer Condom. So it’s fitting that the Number 1 film on this list is a Troma release, made by a collective of Canadian nutjobs calling themselves Astron-6.
Possessing filmmaking skills and production values that are heads and shoulders above the usual intentionally (or unintentionally) amateurish levels of a Troma film, Father’s Day embodies everything that makes weird and nutty movies such a joy to watch. Even its main hook, which is that a psychotic killer, whose specialty is killing fathers after violating them in the behind, is not something that a mainstream film would even dare to tackle, let alone show.
But it’s the little things that make the film even more special, like a hilariously out of the blue incestuous love affair and an equally inappropriate sexual tension between a gay teen hustler and a young priest. The comical affront to normalcy doesn’t stop there too, as a third act involving a detour into Heaven and Hell (with Troma president Lloyd Kaufman as God and a stop-motion demon) must be seen to be believed!